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The saxon tales
The saxon tales













Lavelle found his job relatively straightforward on The Last Kingdom’s first season. I have to let them know when things aren’t right, but they have to make the decision, and they make those decisions from a perspective of being informed of the actual history.” ‘The historical clock moves faster than the clock in the drama’ When that happens on The Last Kingdom, says Lavelle, it’s the choice of creators who are informed about the historical context but are choosing to serve the drama. Off set, he’s used the show as a talking point for undergraduates at the University of Winchester, looking at how its representation of events differs from historical evidence. On set, he’s felt the heat of a burning Viking hall and heard the battle cries and clashing swords of medieval warriors. Six years later, and Lavelle has served as historical advisor across five seasons of The Last Kingdom, the hit Netflix drama that Cornwell’s book series has since been renamed for, which plans to start filming its fifth season in late 2020. I still have an element of that initial excitement of thinking that this is a world that I’ve tried to inhabit in my mind, and it’s being paid enough attention to be able to put flesh on the bones of characters who’ve been dead for 1000 years.”

the saxon tales

“To me, Bernard Cornwell was a major figure in my consciousness! He wasn’t just ‘some chap called Cornwell’, this was the Bernard Cornwell.

the saxon tales

The drama, she said, was an adaptation of a set of novels by “some chap called Cornwell”.īernard Cornwell makes a cameo in The Last Kingdom season four Filming was due to take place in Hungary, explained Professor Nelson, and she wasn’t keen to travel. “There were certain things in the novels, details that made me think ‘this isn’t quite right’, but I was impressed with Cornwell’s engagement with historical records and places,” he tells Den of Geek over Zoom, pointing out his editions of the Saxon Stories on the bookshelves behind him.Ī decade after reading the first of the books, Lavelle was contacted by fellow historian Dame Janet ‘Jinty’ Nelson, to ask if he’d be interested in advising on a new historical TV drama. Lavelle read them all, delighting in their inclusion of real historical events and use of a central character whose divided loyalties allowed a perspective into the very different worlds of Saxon and Dane. In the following years, Cornwell published another, and then another and another. It told the story of Uhtred, a fictional 9th century Northumbrian warrior raised by Vikings who, despite a conflicted relationship with the king of Wessex, became Alfred’s military tactician. The Last Kingdom by Bernard Cornwell was the first in what was then known as the Saxon Stories saga. After completing his PhD in Early Medieval History, Ryan Lavelle picked up a novel dramatising the events of King Alfred’s early reign.















The saxon tales